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	<title>Comments on: Compilation of Topaz ReMask Resources</title>
	<atom:link href="http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/</link>
	<description>with Ashley Robinson</description>
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		<title>By: Eric</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-1028</link>
		<dc:creator>Eric</dc:creator>
		<pubDate>Tue, 13 Oct 2009 15:09:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-1028</guid>
		<description>Nice, Stanley. That&#039;s a great way to do it as well.</description>
		<content:encoded><![CDATA[<p>Nice, Stanley. That&#8217;s a great way to do it as well.</p>
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		<title>By: Stanley Ashbrook</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-1027</link>
		<dc:creator>Stanley Ashbrook</dc:creator>
		<pubDate>Tue, 13 Oct 2009 13:24:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-1027</guid>
		<description>Another way to construct the gray transition zone I used to use with Photoshop&#039;s Extract is to create a path around the subject you want to select (I belive a bit quicker than trying to paint around the subject)and after copying the background to a layer, add a layer mask and with the layer mask active, the foreground color 50% gray, the bursh tool selected with hard edge and a width you would like for the gray transition, go to the Path palette and with the Path active select Stroke the path. Turn off the Path and you have a nice gray transition area for your tri-mask. For large areas of hair for example you can paint a wider area.</description>
		<content:encoded><![CDATA[<p>Another way to construct the gray transition zone I used to use with Photoshop&#8217;s Extract is to create a path around the subject you want to select (I belive a bit quicker than trying to paint around the subject)and after copying the background to a layer, add a layer mask and with the layer mask active, the foreground color 50% gray, the bursh tool selected with hard edge and a width you would like for the gray transition, go to the Path palette and with the Path active select Stroke the path. Turn off the Path and you have a nice gray transition area for your tri-mask. For large areas of hair for example you can paint a wider area.</p>
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	<item>
		<title>By: Benita</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-998</link>
		<dc:creator>Benita</dc:creator>
		<pubDate>Fri, 09 Oct 2009 16:01:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-998</guid>
		<description>Thanks for the helpful compilation.  I&#039;ve been trying to extract my subject, but have been unsuccessful so far.  The quick start guide looks like the type of basic information that will help me.</description>
		<content:encoded><![CDATA[<p>Thanks for the helpful compilation.  I&#8217;ve been trying to extract my subject, but have been unsuccessful so far.  The quick start guide looks like the type of basic information that will help me.</p>
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	<item>
		<title>By: Eric</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-996</link>
		<dc:creator>Eric</dc:creator>
		<pubDate>Fri, 09 Oct 2009 14:10:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-996</guid>
		<description>Thanks all. 

Ray, Elements version will be available before the end of the year.

Moshe, great points. As we revise the documentation we&#039;ll def take these into account. 

Mike and Victor, just let me know if you have any questions about how the software works or what you can do with it... in fact we just posted up a new &lt;a href=&quot;http://gallery.topazlabs.com&quot; rel=&quot;nofollow&quot;&gt;user-submitted Gallery&lt;/a&gt; page with some nice photos.</description>
		<content:encoded><![CDATA[<p>Thanks all. </p>
<p>Ray, Elements version will be available before the end of the year.</p>
<p>Moshe, great points. As we revise the documentation we&#8217;ll def take these into account. </p>
<p>Mike and Victor, just let me know if you have any questions about how the software works or what you can do with it&#8230; in fact we just posted up a new <a href="http://gallery.topazlabs.com" rel="nofollow">user-submitted Gallery</a> page with some nice photos.</p>
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	<item>
		<title>By: Mike</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-988</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Fri, 09 Oct 2009 07:47:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-988</guid>
		<description>What a fantastic addition to the portfolio, I cannot wait to lean how to use it.  I have only just recently found the Topaz software, I have tried the 30 day download and I am now looking to purchase the complete bundle.</description>
		<content:encoded><![CDATA[<p>What a fantastic addition to the portfolio, I cannot wait to lean how to use it.  I have only just recently found the Topaz software, I have tried the 30 day download and I am now looking to purchase the complete bundle.</p>
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	</item>
	<item>
		<title>By: Moshe Ronen</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-987</link>
		<dc:creator>Moshe Ronen</dc:creator>
		<pubDate>Fri, 09 Oct 2009 06:30:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-987</guid>
		<description>Hello,

Purchased and began to play with ReMask. No problem with the basic steps, all is well as long as the subject is simple. 

However, it gets tricky when you must &#039;Refine&#039; the mask. I think the resources, videos and User Guide, should dwell on it much more. As it is now, the subject is merely mentioned as a possibility, without really teaching how to do it. 

Just one note about the resources: The term &#039;Quick Mask&#039; is loosely used in the documentation. When you select the Layer Mask and press Backslash (so as to see the mask in red on the Image window) you do not really go into Quick Mask. Quick Mask is a dual state to &#039;Select Mode&#039; and you switch between the two by pressing &#039;Q&#039; or the bottom icon on the tools-bar. Pressing Backslash has nothing to do with selection, it does not create a temporary mask channel as Quick Mask does, and is only a visual aid for drawing a Layer Mask. It confused me until I realized what the intention was.  Also, I don&#039;t see any reason to switch to &#039;Channels View&#039; as advised to do in the Manual. There are also some inaccuracies in the illustrations of the Channels Palette, regarding the &#039;View Eye&#039;.

All said, I enjoy the software and hope you&#039;ll improve it still further.

Moshe</description>
		<content:encoded><![CDATA[<p>Hello,</p>
<p>Purchased and began to play with ReMask. No problem with the basic steps, all is well as long as the subject is simple. </p>
<p>However, it gets tricky when you must &#8216;Refine&#8217; the mask. I think the resources, videos and User Guide, should dwell on it much more. As it is now, the subject is merely mentioned as a possibility, without really teaching how to do it. </p>
<p>Just one note about the resources: The term &#8216;Quick Mask&#8217; is loosely used in the documentation. When you select the Layer Mask and press Backslash (so as to see the mask in red on the Image window) you do not really go into Quick Mask. Quick Mask is a dual state to &#8216;Select Mode&#8217; and you switch between the two by pressing &#8216;Q&#8217; or the bottom icon on the tools-bar. Pressing Backslash has nothing to do with selection, it does not create a temporary mask channel as Quick Mask does, and is only a visual aid for drawing a Layer Mask. It confused me until I realized what the intention was.  Also, I don&#8217;t see any reason to switch to &#8216;Channels View&#8217; as advised to do in the Manual. There are also some inaccuracies in the illustrations of the Channels Palette, regarding the &#8216;View Eye&#8217;.</p>
<p>All said, I enjoy the software and hope you&#8217;ll improve it still further.</p>
<p>Moshe</p>
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	<item>
		<title>By: Victor Bassani</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-985</link>
		<dc:creator>Victor Bassani</dc:creator>
		<pubDate>Fri, 09 Oct 2009 03:54:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-985</guid>
		<description>I do not know this program would like experience him
If you belong to my interest will buy</description>
		<content:encoded><![CDATA[<p>I do not know this program would like experience him<br />
If you belong to my interest will buy</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ray</title>
		<link>http://www.topazlabs.com/blog/compilation-of-topaz-remask-resources/comment-page-1/#comment-978</link>
		<dc:creator>Ray</dc:creator>
		<pubDate>Thu, 08 Oct 2009 14:10:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.topazlabs.com/blog/?p=257#comment-978</guid>
		<description>Thanks Eric,

Keep bringing them on.... Any update on version for PS Elements etc....</description>
		<content:encoded><![CDATA[<p>Thanks Eric,</p>
<p>Keep bringing them on&#8230;. Any update on version for PS Elements etc&#8230;.</p>
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